Hans Holbein (1497/8 – 1543) Sir Thomas More, c.1527, Black, brown, red and yellow chalks, the outlines pricked, No. 1
Hans Holbein (1497/8 – 1543) Cicely Heron, c.1527, Black, yellow, brown and red chalks, No. 2
Leonardo da Vinci (1452 – 1519) Studies of a horse, c.1490, Metalpoint on blue prepared paper, No.3
Leonardo da Vinci (1452 – 1519) A study of a flowering rush, c.1505 – 10, Red chalk, touched with a wet brush, on pale red prepared paper, No. 4
Leonardo da Vinci (1452 – 1519) Studies of the anatomy of the shoulder, c.1510, Pen and ink with some wash over black chalk, No. 5
Leonardo da Vinci (1452 – 1519) A deluge, c.1517– 18, Pen and ink with wash over black chalk, No. 6
Luca Signorelli (c.1450 – 1523) Hercules and Antaeus(?), c.1500, Black chalk, No. 7
Michelangelo Buonarotti (1475 – 1564) The Risen Christ, c.1532, Black chalk, No. 8
Raffaello Sanzio, called Raphael (1483 – 1520) An allegorical figure of Poetry, c.1509 – 10, Black chalk over underdrawing, No. 9
Girolamo Francesco Maria Mazzola, called Parmigianino (1503 – 15 40) Four studies of figures in architectural settings, c.1531– 3, Black chalk underdrawing, pen and ink, with wash and white heightening, No. 10
Paolo Farinati (1524 – 1606) Neptune and Medusa, c.1550 – 70, Pen and ink with wash and white bodycolour over black chalk on buff paper, No. 11
Bartolomeo Passarotti (1529 – 1592) Three standing nudes, c.1580, Pen and ink, No. 12
Federico Barocci (1535 – 1612) The head of Anchises, c.1587, Coloured chalks on blue paper, c.1810, No. 13
Francesco Vanni (1563 – 1610) A sleeping figure, c.1600, Red and white chalk on blue paper, No. 14
Giovanni Ambrogio Figino (1548 – 1608) Sketches for the Agony in the Garden, c.1580 – 90,Pen and ink, No. 15
Agostino Carracci (1557– 1602) Is, c.1600, Pen and ink on blue paper, No. 16
Marcantonio Bassetti (1586 – 1630) The Presentation in the Temple, c.1610, Brown and white oil paint ,No. 17
Albrecht Dürer (1471– 1528) A greyhound, c.1500 – 1 Brush and ink, the outlines indented with a stylus, No. 18
Augustin Hirschvogel (1503 – 1553) The Crucifixion, 1533 Pen and ink, No. 19
Attributed to François Quesnel (c.1542/5 – 1619) A portrait of a bearded man, c.1590 – 1600, Black and red chalk with wash, No. 20
Isaac Oliver (c.1560/5 – 1617) Moses striking the rock, c.1600, Pen and ink, brush and ink, with wash and white bodycolour, No. 21
Jan Muller (1571– 1628) Pluto, c.1590 – 95 Pen and ink, wash, white bodycolour, over black chalk, on paper washed buff, No. 22
Annibale Carracci (1560 – 1609) A reclining nude, c.1600, Black and white chalks on blue paper, No. 23
Domenico Zampieri, called Domenichino (1581– 1641) St Matthew with an angel, c.1624, Black and white chalk on discoloured paper, No. 24
Giovanni Lanfranco (1582 – 1647) A study for an angel, c.1629, Black chalk and touches of white chalks on pale buff paper, squared in red chalk, No. 25
Andrea Sacchi (1599 – 1661) A seated male nude, c.1653 – 5, Red and white chalk on buff paper, No. 26
Stefano della Bella (1610 – 1664) A sleeping satyr, c.1650 – 55, Pen and ink over graphite, No. 27
Nicolas Poussin (1594 – 1665) The Triumph of Pan, c.1635, Pen and ink with wash over black chalk and stylus, No. 28
Giovanni Battista Salvi, called Sassoferrato (1609 – 1685), The Madonna and Child with the Infant Baptist, c.1650, Black and white chalks on blue paper, No. 29
Giovanni Benedetto Castiglione (1609 – 1664), The Nativity with God the Father, c.1650 – 60, Red-brown oil paint, No. 30
Giovanni Lorenzo Bernini (1598 – 1680) A design for a fountain, c.1652 - 3, Black chalk on pale grey-buff paper, No. 31
Giovanni Francesco Barbieri, called Guercino (1591– 1666) A landscape with a bridge and figures, c.1625, Pen and ink, No. 32
Claude Gellée, called Le Lorrain (1600 – 1682) The Apulian Shepherd, c.1657, Pen and ink, wash, white heightening, some watercolour, on paper washed brown, No. 33
Jacob van Ruisdael (1628/9 – 1682) The High Bridge near the Schermerpoort at Alkmaar, c.1655 – 60, Black chalk with grey wash, No. 34
Gerrit van Battem (1636 – 1684) A landscape with travellers, c.1670, Gouache, No. 35
Guido Reni (1575 – 1642) The head of Marsyas, c.1620– 25, Black, red and white chalk on faded blue-grey paper, No. 36
Charles Le Brun (1619 – 1690) The head of a Persian warrior, c.1665, Black chalk on pale buff paper, No. 37
Carlo Maratti (1625 – 1713) The head of Holofernes, c.1675, Red and white chalks on blue paper, No. 38
Attributed to Leendert van der Cooghen (1610 – 1681) A portrait of a young woman, c.1650, Black and red chalks, No. 39
Sir Anthony van Dyck (1599 – 1641) Nicolaas Rockox, c.1634 – 5, Black chalk, No. 40
Frans Francken the Younger (1581– 1642) A picture gallery, c.1620 – 30, Pen and ink with wash over graphite, No. 41
Vincenzo Leonardi (fl.1621– 1646) A squacco heron, c.1630 – 40, Watercolour and bodycolour with gum arabic, over black chalk, No. 42
Attributed to Vincenzo Leonardi (fl.1621– 1646) Specimens of corals, figured stones, minerals and fossils, c.1630 - 40, Watercolour and bodycolour with some gold paint, over black chalk, No. 43
Attributed to Nicolas Poussin (1594 – 1665) Two views of a breastplate, c.1635, Pen and ink with brown and green wash over red chalk, No. 44
Ustad Mansur (fl. c.1590 – 1630) A chameleon, 1612(?), Brush and ink with green bodycolour on discoloured paper, No. 45
Maria Sibylla Merian (1647– 1717) A citron with a moth and a harlequin beetle, c.1701– 2, Watercolour and bodycolour over pencil and etching on vellum, No. 46
Mark Catesby (1682 – 1749) A pitcher plant, a toad and a click-beetle, c.1730 - 5, Watercolour and bodycolour over pencil, No. 47
Sebastiano Ricci (1659 – 1734) The Magdalen anointing Christ's feet, c.1728 – 30, Pen and brown ink with grey wash, No.48
Anton Maria Zanetti (1680 – 1767) Seven standing figures, c.1730, Pen and ink over traces of pencil or black chalk, No. 49
Giovanni Battista Piazzetta (1682 – 1754) A young Moor with a bow, c.1730 – 40, Black and white chalk on blue paper faded to dull brown, No. 50
Marco Ricci (1676 – 1730) A landscape with figures, c.1723 – 30, Pen and ink over traces of pencil, No. 51
Giovanni Antonio Canal, called Canaletto (1697– 1768) A view on the lower reaches of the Grand Canal, c.1730, Pen and ink over traces of pencil, No. 52
Domenico Maria Fratta (1696 – 1763) The Rape of Europa, c.1730 – 50, Pen and ink, No. 53
Francesco Bosio (fl.1725 – 1756) A landscape with figures, c.1730 – 45, Pen and ink over traces of black chalk, No.54
Antonio Gionima (1697– 1732) The Condemnation of Haman by Ahasuerus, c.1725 – 30, Pen and ink with wash and white bodycolour over black chalk, on buff paper, No. 55
William Hogarth (1697– 1764) A female nude, c.1735, Black and white chalk on buff paper, No. 56
Thomas Sandby (1721– 1798) A view of St Paul's Cathedral from an idealised bridge, c.1780, Pencil, pen and ink, watercolour, No. 57
Paul Sandby (1731– 1809) Windsor Castle from Datchet Lane on a rejoicing night, 1768, Gouache and touches of gold paint, No. 58
Thomas Rowlandson (1756 – 1827) An English Review, c.1785, Pen and ink, brush and ink, and watercolour (faded) over pencil, No. 59
Sir David Wilkie (1785 – 1841) The entry of George IV into Holyroodhouse, 1822, Pen and ink over pencil, on pale buff paper, No. 60
Sir Edwin Landseer (1803 – 1873) Christ on the Cross, after Rubens, 1840, Black, red and white chalks on blue-grey paper, No. 61
Carl Graeb (1816 – 1884) Schloss Stolzenfels: The Great Knights' Hall, c.1845 – 7, Watercolour and bodycolour over pencil, No. 62
James Giles (1801– 1870) Lochnagar, 1850, Watercolour over pencil, No. 63
Carl Haag (1820 – 1915) John Mackenzie with a dead stag on a pony, 1853, Watercolour, No. 64
Louis Haghe (1806 – 1885) The Great Exhibition: Moving machinery, c.1851- 2, Pencil, pen and ink, watercolour, with touches of bodycolour and gum arabic, No. 65
William Wyld (1806 – 1889) St George's Hall, Liverpool, 1852, Pen and ink, watercolour and bodycolour, with touches of gum arabic, No. 66
Sir Oswald Walters Brierly (1817– 1894) Karnak, 1869, Watercolour and bodycolour over pencil, No. 67
Sydney Prior Hall (1842 – 1922) Divers leaping at Fatehpur Sikri, 1876, Watercolour over pencil with touches of gum arabic No. 68
William Strang (1859 – 1921) Admiral Lord Fisher 1908,Black and coloured chalks on paper washed buff, No. 69
John Singer Sargent (1856 – 1925) Henry James, 1912, Charcoal, No. 70
Dame Laura Knight (1877– 1970) A wardrobe room, 1953, Charcoal and watercolour, No. 71
Leonard Rosoman (b.1913) The Death of Actaeon, 1971, Pencil, No. 72
Dame Elisabeth Frink (1930 – 1993) A horse, 1977, Pencil and brown wash, No.73
Feliks Topolski (1907– 1989) The Wedding Procession of the Duke and Duchess of York, 1986, Felt-tip pen, coloured pastels, grey and brown wash and white bodycolour on buff paper, No. 74
David Hockney (b.1937) Lord Rothschild, 1999, Pencil and white chalk on grey paper, No. 75