Waharoa at Te Papa – Gateways to Aotearoa New Zealand

The three main waharoa waharoagatewaysMāori at Te Papa are significant and special to our museum in several ways. 

Traditional waharoa

In Wellington Foyer, Level 2

This traditional waharoa was created for the Colonial Museum, Te Papa’s forerunner, in 1906.

A man in a red top is pointing at a very tall wooden carving. He is describing something to the man crouched next to two small children.

Caption

Visitors at Te Papa, 2019. Photo by Johnny Hendrikus. Te Papa (136715)    

This waharoa was commissioned by Augustus Hamilton, the director of Te Papa's forebear, the Colonial Museum, for the New Zealand government. In 1906, it featured in the New Zealand International Exhibition in Christchurch, where it formed part of a double stockade which enclosed the exhibition's model

  fortified villageMāori
, called Araiteuru.

The work was carried out by master carver Neke Kapua and his sons Tene and Eramiha, of Ngäti Tarawhai, a subtribe of Te Arawa of Rotorua. The waharoa is carved from a twenty-two-metre single slab of tötara that came from the central North Island.

The idea of the waharoa is particularly meaningful at Te Papa. Our entire museum is also a waharoa – a gateway to New Zealand’s natural and cultural heritage.

Contemporary waharoa

At the entrance to Mana Whenua on Level 4

This waharoa is called Whakamarama (Enlightening)

A tall modern design sculpture made of wood, aluminium, and copper. It is standing upright on a museum floor.

Caption

Ross Hemera, Whakamarama (Enlightening), 1998, made with Totara, aluminium, copper, oil stain, wax. Purchased 1998 with New Zealand Lottery Grants Board funds. Te Papa (1998-0027-1) 

Created in 1997 by Ross Hemera, it is made of totara, aluminium and copper. It was purchased by Te Papa in 1998 with New Zealand Lottery Grants Board funds.

With this waharoa Hemera presents Tane, the bringer of light, separating his parents, Ranginui

  Ranginuithe sky fatherMāori
and the Papatūānuku

  Papatūānukuearth motherMāori
and allowing light to fall on the land and their children. Whakamarama continues Hemera’s work with the mythological, reptile, bird, and human forms of the South Island rock drawings extending them into three-dimensional form.

Outside Rongomaraeroa, our marae on Level 4

This is where manuhiri

  manuhirivisitorsMāori
 wait for the tangata whenua

  tangata whenuahome people, the Indigenous people of Aotearoa New ZealandMāori
 to welcome them in.

An ornamental archway over a red outdoor gate. There is a glass fence either side of it and part of a building with windows on the left.

Caption

External entrance to Rongomaraeroa, 2012. Photo by Norman Heke. Te Papa (168500)  

The waharoa marks the threshold of their relationship – the meeting of cultures and honours the various peoples who have settled in New Zealand, including:

  • the great Māori ancestor Kupe, and the many ocean-going people who followed him across the Pacific
  • Abel Tasman, James Cook, and other European navigators
  • other ethnic groups who subsequently arrived here.

Please note: This waharoa is currently deinstalled.