Māori musical instruments

See, hear, and read about different taonga puoro (Māori musical instruments) and discover what their original purposes were.

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What were taonga puoro originally used for?
Pūtātara
Pūkāea
Karanga weka
Pūtōrino
Hue

What were taonga puoro originally used for?

Taonga puoroTaonga puoro Māori musical instruments are undergoing something of a revival and were originally used for many purposes including:

  • as a call to arms in warfare
  • as a signalling device
  • to warn of imminent danger
  • to sound the dawning of a new day
  • to communicate with Māori gods
  • to signify the planting of certain crops at different times of the year.

Listen to taonga puoro

Pūtātara 

http://collections.tepapa.govt.nz/object/155366

The sound of the pūtātara heralds arrivals to a marae or the birth of a child. It is also used to summon people for formal learning or as a call to arms.

Pūtātara are highly prized. The triton shell is rarely found in Aotearoa, only occasionally washing up on beaches in the Far North. It is regarded as a special gift of Tangaroa, the god of the sea.

Pūtatara (shell trumpet), 1800–1900, Whanganui, maker unknown. Te Papa (ME003937)

Pūkāea 

Pukaea (long trumpet), 1750-1850, New Zealand, maker unknown. Bequest of Kenneth Athol Webster, 1971. Te Papa (WE001090)

The pūkāea is used to welcome people and announce events or occasions of importance, and was also a war trumpet.

Pūkāea vary considerably in length, with some known to be over 2 metres long. The mouthpiece end is the kōngutu. The bell-shaped end is called the whara.

Pūkāea (long trumpet), 1750–1850, maker unknown. Bequest of Kenneth Athol Webster, 1971. Te Papa (WE001090)

Karanga weka 

Karanga Weka (small nguru like instrument), 1997, by Clem Mellish. Gift of the artist, 1997. Te Papa (ME015898)

Māori have many instruments for imitating bird calls – leaves and grasses, tubular plant stems, hollow stones, and pounamu (greenstone).

Karanga weka (small instrument, similar to a nguru), 1997, by Clem Mellish. Gift of the artist, 1997. Te Papa (ME015898)

Pūtōrino

Putorino (bugle flute), 1997, by Bernard Makoare. Gift of Bernard Makoare, 1997. Te Papa (ME015912)

The pūtōrino (bugle flute) is shaped like the cocoon of the case moth (tūngou ngou). It is said to possess both female and male ‘voices’. Some instruments emit a third voice, said to be a wairua (spiritual) voice.

Pūtōrino are made from split and hollowed hardwood, sealed together with natural gums and bound by fine split vines.

Pūtōrino (bugle flute), 1997, by Bernard Makoare. Gift of Bernard Makoare, 1997. Te Papa (ME015912)Bone kōauau

Koauau (flute), early 19th century, maker unknown. Oldman Collection. Gift of the New Zealand Government, 1992. Te Papa (OL000035)

Hine Raukatauri is the spiritual entity for Māori flutes. She is a daughter of Tānemahuta. The sound is an attempt to replicate the sound made by the empty cocoon of the case moth.

Kōauau (flute), early 19th century, maker unknown. Oldman Collection. Gift of the New Zealand Government, 1992. Te Papa (OL000035)

Hue 

Hue (calabash), 1800¬1900, maker unknown. Bequest of Kenneth Athol Webster, 1971. Te Papa (WE000901)

Hine Pū te Hue is the spiritual entity for the hue. She is associated with calming storms, and the sounds created from the hue are soothing and peaceful, like the spirit of Hine Pū te Hue – a daughter of Tānemahuta (god of the forests and birds).

The hue is a marrow-like vegetable that was brought to Aotearoa and cultivated by Māori. Dried and hollowed gourds were used as containers for water and preserved food. Smaller ones were used as containers for perfume. Taonga puoroTaonga puoro Māori musical instruments were also made from hue, including the hue puruhau (pictured), kōauau pongaihu, poi āwhiowhio or ‘whistling gourd’, and hue puruwai.

Hue (calabash), 1800­-1900, maker unknown. Bequest of Kenneth Athol Webster, 1971. Te Papa (WE000901)

Video: Richard Nunns plays the pūtōrino