Free museum entry for New Zealanders and people living in New Zealand

LGBTQI+ histories of Aotearoa New ZealandKōrero takatāpui ki Aotearoa

Explore queer objects, artworks, and stories in Te Papa’s collections and discover more about the rich histories of Aotearoa New Zealand’s LGBTQI+ communities and icons – including the AIDS Quilt, Carmen Rupe, and Xena: Warrior Princess.

This is an ongoing online project. If you have any suggestions for stories or topics that you would like see, please email enquiries@tepapa.govt.nz.

  • A photo of a framed photograph of Carmen Rupe with big hair, a low-cut dress with large costume jewellery, and a carpet with horses running on it hung behind her.

    Your life is important – your archive is important

    Master’s student Felix Stribling unpacks their research into Aotearoa New Zealand’s queer heritage collections and the importance of centring queer and takatāpui voices in GLAMs (galleries, libraries, archives, and museums).

  • Large-scale printed paper magazine titled Hero 1994 with 'visions unleashed' along the bottom right edge. Featuring colour photograph of orange flowers against green leaves.

    Designing the Hero festivals

    Peter Roband was a graphic designer in Auckland in the 1990s. He volunteered to help design branding and collateral for the 1993 and 1994 Hero festivals, including the programme covers. He speaks with history curator Stephanie Gibson.

  • Art photo of two people with hooded tops on that look have waves of the ocean photoshopped onto them

    Brey Kin Hearts and building backbones

    Rex Letoa is a Sāmoan/French fa‘atama poet. A keen observer of the world around him, as well as the world inside of him. His poetry and storytelling act as a wayfinding tool back to his cultural and gender identity.

  • White singlet with a black and white illustration of Batman and Robin kissing

    Holy homoerotica, Batman!

    ‘We all wear masks.’ Poet Chris Tse looks into the hidden (and not-so-hidden) subtexts of comic books, and shares the role superheroes – particularly Catwoman in Batman Returns – played in his own journey.

  • Portrait of Chris Parker wearing a felt hat. The hat features tiny versions of the key New Zealand public figures during Covid-19, a bag of flour, a tiny self-portrait of Chris wearing his orange hoodie, and a tiny official Covid-19 symbol

    This Is How I Felt

    This digital portrait of Chris Parker shows the popular New Zealand comedian wearing the results of his creative response to the Covid-19 pandemic lockdown.

  • A single panel from a comic featuring a montage containing a policeman, a poster of Carmen Rupe, a rainbow flag and a newspaper

    Poutokomanawa: a comic about Carmen Rupe

    This comic was created by queer trans illustrator, comic creator, and designer Sam Orchard after seeing the exhibition Poutokomanawa: The Carmen Rupe Generation at the New Zealand Portrait Gallery, Wellington, in 2019.

  • Chris Brickell holds a pink Air New Zealand travel bag. An illustration of an aeroplane flies behind him with a pink flag saying ‘Pride’ behind it

    Watch: What makes a queer object?

    The world is full of queer objects. But what exactly makes an object queer? Can a telephone be queer? Chris Brickell, co-editor of the book Queer Objects (OUP, 2019), which features everything from a teapot to a sex toy, talks us through what makes an object queer with taonga from Te Papa’s collection.

  • A large quilt hangs from the ceiling of the play_station gallery. It is an almost empty, white space. Part of another quilt can be seen hanging to the right of the frame

    A handshake, a quilt, the living

    Artist Owen Connors and art curator Simon Gennard discuss the influential role that the New Zealand AIDS Memorial Quilt has played in their work as a marking point in a trajectory of queer history.

  • Group of people in an assortment of of costumes stand in a parade holding the rainbow flag

    A history of pride in Aotearoa New Zealand

    Historian Will Hansen explores the origins of pride in Aotearoa New Zealand, and documents tensions between celebration and protest, and at times, the necessity for both.

  • Piece of paper with the words ‘Chinese ring, removed 2/00, in situ 4 years’ and a coiled ring attached to it

    Ring fishing

    “I don’t know why I’m drawn to this object so much, but a silver ring fished out of your womb feels romantic.”

    Vanessa Mei Crofskey offers personal reflections inspired by a Chinese intrauterine device (IUD) in Te Papa’s History Collection.

  • An array of items, including lubricant, condoms, lipstick nail clippers, pills, a hairclip, an other  things

    Trans Past, Trans Present: The Making Trans Histories Project

    Trans people from their teens to their 70s were asked to identify objects of personal importance and to share the objects’ stories. What emerged was a quirky collection that is a testament to the diversity of trans experiences, and which disrupts established (and cis-written) narratives about trans lives.

  • Quilt consisting of 8 vividly coloured panels dedicated to people who died of AIDS. Each panel contains a mixture of words and pictures

    Surviving the Plague Years: Living with AIDS

    In 1987/88 Fiona Clark created two albums of intimate photographs of four New Zealanders who had been diagnosed with HIV. While Fiona visually documented their days, the subjects in turn contributed their own words and thoughts to the album. Michael Stevens has a copy of the albums on his book shelf. In this essay, he reflects on living with HIV then and now.

  • Screenprint of a photo of a large group of police. It has been coloured green, with the occasional red helmet and shoes

    Queering the Planet: life before the Human Rights Act

    In 1998 Neil Anderson and Michael Eyes gifted a collection of over 20 queer-themed T-shirts to Te Papa from the 1980s and 1990s. Neil Anderson recalls his time as a queer activist before the Human Rights Act of 1993, which made it illegal to discriminate against people on the basis of their sexual orientation.

  • Two men dressed as nuns

    Drag in 1970s New Zealand

    In this excerpt from Mates & Lovers, Chris Brickell explores the vibrant world of drag culture in New Zealand, when drag ‘jumped off the stage and into the streets’.

  • Carmen sits with a bowl while several men stand around with coffee cups and bowls in front of what appears to be self-serve breakfast

    Carmen’s International Coffee Lounge and the Balcony

    Carmen Rupe (Ngāti Maniapoto, Ngāti Hauā, Ngāti Heke-a-Wai, 1936-2011) was a flamboyant transgender woman, performer, business owner, and anti-discrimination activist who became a cultural icon in New Zealand and Australia.

  • Panel of a quilt showing a portrait of a man and various scenes of mountains. It reads Arohanui Ian, He iti he iti kahikatoa

    A rural love story

    Te Papa is kaitiaki of the New Zealand AIDS Memorial Quilt. This panel was made by Welby Ings for Ian Williams. In the late 1990s, Welby wrote this reflection on their relationship and the creation of the panel.

  • Toss Woollaston’s love triangle

    This portrait of Rodney Kennedy was painted by Toss Woollaston in 1936. The two men met at art school in Dunedin, and became lovers in 1932. After Toss’ marriage in 1936, they remained life-long friends. Chris Brickell tells their story.

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    Louise Henderson’s ‘Les deux amies’

    Two female lovers are intimately entwined in a series of delicate interlocking planes. The work is remarkable not only for its stylistic innovations but also for the fact it depicts a lesbian couple — a daring choice for prim and proper 1950s New Zealand.

  • Two knitted dolls. Left: A woman with a red headband, wearing glasses, in a blue dress with white polkadots and a green cardigan. On the right: A woman in pink headband and dungarees with turquoise cardigan and yellow handbag

    Listen: The Topp Twins and the dolls

    These miniature works of knitted art hail from Invercargill, and might just be the ultimate Kiwiana tribute to two of New Zealand’s most popular characters – Camp Mother and Camp Leader, the creations of Lynda and Jools Topp – the Topp Twins.